
ISABEL
"A remarkable and fascinating movie" (Wendy Michener, The Globe and
Mail). The winner of four top prizes at the 1968 Canadian Film
Awards, Paul Almond's debut feature was also voted one of the ten
best films of the year by several US critics. ISABEL bears the
passionate imprint of a genuine auteur; Almond's cool,
idiosyncratic vision immediately drew critical comparisons to a
diverse group of masters - Bergman, Resnais, Dreyer, Hitchcock -
and received electric reviews (Time magazine raved, calling it "an
eye-spinning shocker that massages the heart while icing down the
spine !"). The film's narrative unfolds through an elliptical
stream of haunting episodes, suffused with foreboding and a
conflated sense of past, present, and future. Isabel leaves
Montréal and returns to her family's farm in the Gaspé Peninsula
after learning of her mother's serious illness. There the demons of
a repressed family history rise to torment her. ISABEL is partly "a
pellucid visualisation in internalized, psychic repression" (Peter
Morris) and partly a ghost story. Almond's reluctance to situate
ISABEL's narrative in either the realm of the fantastic or the real
infuriated many critics. Nevertheless, this stylistic choice is
clearly one of the great attributes of this landmark work.
CinemathequeOntario, November 2000
NEW YORK - Canadian director Paul Almond has done well by his
actress-wife Genevieve Bujold. He has given her one of the more
exciting film vehicles of the year, a story of fear and sexual
inhibition in a young woman. He as astonishingly good at creating tension.
“THE EVENING NEWS, NEWARK - Wednesday, July 24, 1968
By BRUCE BAHRENBURG “
Time Magazine
"Actress Genevieve Bujold is a charmer! Writer-Director Paul Almond is a cinemagician! In 'Isabel'
they have created an eye-spinning shocker that massages the heart while icing down the spine!"
WCBS Radio
"Stunning! Great Reality! Genevieve Bujold plays the girl with tremendous sensitivity and
she is fascinating to watch!” A GEM OF HIGH QUALITY!"
-DAVID GOLDMAN
WINS Radio
"Triumphant! Startling! Exquisite! This is a beautifully conceived movie that
you can't afford to miss. Superbly fashioned by Paul Almond. Miss Bujold who
spells excitement, crosses the magic line into super starsville. If you love
movies, you have to love 'lsabel'!"
-BOB SALMAGGI
Ladies' Home Journal
"I call it brilliant! Genevieve Bujold stars in this stunning film written and directed by her
husband, Paul Almond. It’s a chiller!"
-GENE SHALIT
N.Y. Post
"A picture of superior quality! Director Almond is civilized, intelligent and very aware of what
modern cinema is doing!"
-ARCHER WINSTEN
Women's Wear Daily
"An outstanding achievement! 'Isabel' has been beautifully realized as a work of cinema art.
Faultlessly photographed! A thrilling work of cinematography
Cue Magazine
“Suspenseful, haunting film! Among the most effective we have seen this year. Maximum tensions!
Almond’s style is akin to the mood and insight of a Bergman film and to the suspense techniques of
Roman Polanski. One can watch the exquisite Genevieve Bujold without tiring of her!”
-WILLIAM WOLF
Hartford Times
“A rare adventure of terror and beauty! Mr. Almond dazzles us constantly! The most avant of
avant-garde. May remind you of 'The Fox', Repulsion and some of the best of Hitchcock. Mr. & Mrs.
Almond (lovely star, Genevieve Bujold) have jumped into the front rank of contemporary film makers!”
-BERNARD L. DREW
N.Y. Daily News
“Tantalizing suspenseful! It bears sly resemblance to ‘The Fox’ and more than a hint of Alfred
Hitchcock. I can’t imagine anyone being able to resist Miss Bujold’s charm. Almond, a gifted director,
can convey fear and suspense so powerfully there were moments when this reviewer could hear her heart
pounding!”
KATHLEEN CARROLL
The big news is from Paramount this week. In their quest for new
directors, they've come up with a dandy. His name is Paul Almond,
who is also the writer, producer and director of "Isabel", an
extraordinary film which stars his wife, Genevieve Bujold.
"Isabel" is a gem-like masterpiece of suspense, which brilliantly
portrays a young girl's descent into madness.
It concerns a young woman who returns to her home town on Canada's
grim Gaspe coast for the funeral of her mother. She stays on to
care for her uncle in a forbidding old house which seems to be
haunted by her late mother, father, younger brother, and mother's
lover. Their ghosts haunt her to the peak of insanity which seems
so total at the film's end that you're sure she will never recover
from it.
The direction by Almond is awesome and frightening. Miss Bujold's
terror-filled eyes made my blood run cold and I felt tears of fear
cascading down my cheeks during many of Isabel's hallucinations.
Almond has arranged a near-rape scene in a barn and its aftermath,
a violent fist fight, with such cinematic skill that you feel you
are watching a nightmare from which you would like to awaken. It
was a stroke of genius to include the actual citizens of the
Canadian village among the professional actors.
Their inclusion heightens the sense of realism considerably and
produces light and shade between isabel's apparitions and the
starkly down-to-earth actuality of her surroundings. Almond's
camera speaks eloquently in silence while Miss Bujold speaks her
fear pathetically in sound.
The film editing and the use of color to suggest the drabness of
the house and countryside around are relentless in their pursuit of
tension.
Paramount has discovered a many-faceted talent in director Almond. It's his first film and I await his future work with breathless anticipation...
NEW YORK DAILY COLUMN - Thursday, July 25, 1968
'ISABEL' - JEWEL OF A FILM
By BEN BAGLEY